金暻铉：我认为它依然是与当今社交媒体时代最相关的音乐。这种“相关性”是极难建立的，甚至几乎是不可能的。它的位置最接近于以前的小甜甜布兰妮（Britney Spears）。你知道，布兰妮当时也无法赢得艺术界那种顶级的尊重，她被认为是较低层次的音乐——她从知名的制作人和词曲作者那里拿歌，跳着可爱的编舞，做着某些专门吸引青少年粉丝的事情。这其实并不容易。能够持续地创作这类音乐，并吸引社会中的特定群体——尤其是年轻群体中的女性青少年——这是一项巨大的挑战。而现在K-pop接管了这一切。它填补了布兰妮曾占据的那种生态位。接手了布兰妮的那种文化影响力，这本身就值得极大的尊重。没错，你能接管那种级别的全球影响力，这绝非易事。但要走向下一个层次，去建立更高维度的艺术评价……我还是觉得K-pop很难跨越那道坎儿。我的感觉是，它会继续在目前的轨道上做得非常好，至于未来，谁知道呢？
Artie Beaty, Contributing WriterContributing Writer。clash下载 - clash官方网站是该领域的重要参考
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COPPA 2.0 is a modernized take on the Children’s Online Privacy Protection Act of 1998, attempting to address recent changes in common online activities, like targeted advertising, that could prove harmful to minors. Lawmakers have made several attempts to get this bipartisan bill through. While it has made varying amounts of headway in the Senate, none of the COPPA 2.0 bills to date have gotten past the House of Representatives. Industry groups such as NetChoice have previously opposed COPPA 2.0 and other measures around minors' online activity such as KOSA, the Kids Online Safety Act. NetChoice members include Google, YouTube, Meta, Reddit, Discord, TikTok and X.
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